Directed by Mike Ott
Five unique individuals in pursuit of a big life change. Through auditions set up in small towns across Southern California, the film shows genuine characters with big Hollywood aspirations who, for various reasons, have never had the opportunity to pursue their dreams.
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★★★★½ review by Eli Hayes on Letterboxd
Sure to go down
as a massively
★★★★ review by Jason Bailey on Letterboxd
Director Mike Ott works in a deliberately blurry style, putting real people into aesthetically staged scenes that mirror their own lives, loosely organized around the idea of regular people who want, in one way or another, to make it big in the movies. The title is evocative; most of them already live in California, but in lives so far removed from the Hollywood they imagine that they might as well be in Kansas. It would be easy for a film like this to look down on the would-be actors, writers, and stars at its center, or present their situation as poverty porn. Ott’s not into that at all, though; he looks at his subjects and listens — really listens — to them, allowing us to develop affection, sympathy, and understanding. The result is a true original, a living, breathing portrait of loneliness, aimlessness, delusion, poverty, and optimism.
★★★★½ review by arlin on Letterboxd
i'm not exactly sure what i just watched but i think i kinda liked it a lot. blockbuster cameo in the final scene i cant spoil for you but like man, enjoyable, opaque and untrustworthy but enjoyable
★★★★ review by Aniello De Angelis on Letterboxd
at one point, the line between reality and fiction is so blurred that the lines disappear all together and the experience becomes a hallucinatory one. but did the fact vs fiction ever matter in the first place? we love film because it allows us to become lost in feelings and narrative, and this is such a great example of that.
★★★★ review by Marko Stojiljkovic on Letterboxd
Gde je granica između stvarnosti i fikcije, dokumentarnog, igranog i rekonstruiranog? Siva zona je ogromna i zato imamo termine kao što su “cinema verité”, “faux verité”, “mockumentary”, “docu-drama”, “docu-fiction” koji su i stilska i sadržajna odrednica. I ta fluidnost termina i stilova je dobra polazna osnova za gledanje i analizu najnovijeg filma američkog nezavisnog filmaša Mikea Otta „California Dreams“ za koji ćemo se dobrim delom pitati je li originalno zamišljen kao dokumentarac ili igrani film na temu velikih snova malih ljudi. Koncept nije naročito nov, Hollywood nije samo fabrika, već je često i predmet snova, ona tačka ultimativnog uspeha koja će učiniti da “niko i ništa” postane “neko i nešto”. Međutim, ono što je važilo za neka davna, polu-legendarna vremena klasičnog Hollywooda, danas više ne vredi.
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