Directed by James Schamus
In 1951, Marcus Messner, a working-class Jewish student from New Jersey, attends a small Ohio college, where he struggles with anti-Semitism, sexual repression, and the ongoing Korean War.
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★★★★ review by davidehrlich on Letterboxd
It's been almost 50 years since someone's made a good movie from a Philip Roth novel (that would be 1969's Goodbye, Columbus) — and thank God that didn't stop James Schamus from trying. The former Focus Features CEO imbues this period drama with the same searing classicism that defined the masterpieces he wrote and produced during his tenure as studio head (i.e. Crouching Tiger, Hidden Dragon), and Logan Lerman absolutely aces his part as an emotionally implosive Jewish kid who enrolls at a Catholic college in order to avoid the Korean War. Come for the nuanced study of institutional guilt, stay for Tracy Lett's show-stopping set pieces and Sarah Gadon's heartbreaking turn as one of cinema's great shiksa goddesses.
★★★★ review by Mike D'Angelo on Letterboxd
A chilling illustration of nails that stick out being hammered down, lent additional blunt force by the strangeness of (fairly recent) history. Tom Townsend would surely complain—from today's perspective, a college guy freaking out after getting blown on the first date seems even more ridiculous than the premise of Mansfield Park—but it's not particularly difficult to think of modern equivalents to such feminine "unseemliness," whether or not they're what Roth had in mind. (Haven't read the novel.) Also rare and exciting to see intellectual ferocity onscreen, even if it's the annoyingly self-righteous undergrad variety. Schamus wisely makes no effort to run before he can walk, taking visual cues from Ang Lee's earlier films rather than his later ones, and trusting the actors with the heavy lifting. All three leads are superb (though Lerman and/or Schamus fail(s) to establish Marcus as the kind of kid who'll behave as he does in the dean's office; his recalcitrance and passionate conviction seem to come out of nowhere), but once again I'm truly floored by Gadon, whose perfectly mannered performance in Cosmopolis made everyone else in that film look slightly adrift, and who here somehow pulls off the oxymoronic quality of "aloof warmth." Schamus trusts us, too—much appreciated. It's never spelled out, for example, that the dean is aware of and passively condones Jewish students' paid chapel surrogates; we're expected to grasp it from the way that Marcus' guy gets intercepted (by folks who are clearly waiting for him) right after Marcus rejects the campus machinery. You don't have to play by the rules, but you do have to accept the rules. Otherwise, it's hammer time.
★★★★ review by Jordan Rowe on Letterboxd
Often playing more like theater than a film, "Indignation" makes for a compelling character drama, thanks to a strong screenplay and a cast of terrific performances, anchored by Logan Lerman, who continues to prove he's one of the most exciting young actors we have today.
★★★½ review by Brendan Michaels on Letterboxd
Logan Kenny: Indignation > Carol
Me: If it isn't gay it isn't better than Carol.
★★★★ review by Ben Lane on Letterboxd
If only all the great love stories could begin with an atheist student (at a conservative college in Ohio, no less) getting a blowjob in a cemetary.
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