Song of Granite

The life story of traditional Irish folk singer Joe Heaney, who is estimated to have recorded in excess of 500 traditional Irish sean nós ('old style') songs. Heaney moved from Ireland to the UK, and then on to New York City, where he settled shortly after performing at the Newport Folk Festival in 1965.


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  • ★★★★½ review by Philip Bagnall on Letterboxd


    This retelling of the life of sean-nós singer Joe Heaney pisses on biopic convention from the heighest height. Cinematography, editing and music reflect Collins’ methodology: all pristine, but never exploited or overused. A film about the little moments between possible dramas, told with confidence and absolute control.

    The finest Irish film this century? B’fhéidir

  • ★★★★★ review by In Rainbows on Letterboxd

    Viewed at SXSW

    An intimate yet distant portrait of a dying culture. Beauty reflected not through knowledge, but through emotions. Mythology and reality intimately dance with one another in a slow, sure waltz. A black and white world, where truth is scarce and isolation is always in stock. Cinematography is the best I've seen all year, with long takes reminiscent of Haneke or P. T. Anderson, bringing levels of authenticity and atmosphere that's unparalleled by anything else I've seen all year. The editing is phenomenal as well, weaving a seamless tapestry of a man's journey through the world. Everything is so well made, so well put together, yet still so emotionally resonant that it seems like a vision from another world. Truly magical.


  • ★★★★★ review by APD55 on Letterboxd

    This film is an immersive experience for the visual and sonic senses. With stunning presentations of wild Irish landscapes and a moody, slow paced atmosphere, the film is a form of bio-pic that is unlike any I've seen before. The life of singer Joe Heaney was difficult but the movie avoids the cliches and sentimentality to explore the deep roots of song and collective consciousness that seemed to drive the man to explore both the outer world and his inner life.

    Rather than document the facts, the movie uses three actors for Joe at different stages of life, and spends time with each to give you a composite of his existence through time. By the end, this leaves you asking for details of the singer's life but never doubting the depth of his feelings for old poetic verse and the ties that bind humanity. In so doing, the music in the film highlights a universality of expression that is found in the unaccompanied vocal tradition.

    The are few comparisons one can make, the movie is so original and moving that it renews your faith in film-making as an art. It's a treasure.

  • ★★★★½ review by Jason Coyle on Letterboxd


  • ★★★★ review by babadook on Letterboxd

    A feast for the eyes and ears.

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