As You Are
Directed by Miles Joris-Peyrafitte
Set in the early 1990s, "As You Are" is the telling and retelling of a relationship between three teenagers as it traces the course of their friendship through a construction of disparate memories prompted by a police investigation.
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★★★★ review by Nikolas on Letterboxd
This is a good indie flick. Really got into it. Relationship between two boys, whose parents move in together, so they become friends. Gay stuff happens. They handled the ending bad though.
★★★½ review by Jerome1994 on Letterboxd
Finally sat down and watched this movie and it's pretty good. The director is 23 years old keep that in mind if you decide on watching this, the film is beautifully shot and actually not badly written. Which leads to some very compelling moments in the film, unfortunately what I believe that held this movie back was some of the choices with the direction. I mean yes I get what the director was trying to do but at times it came off very distasteful. As far as a coming of age film, I wouldn't say this is one of the absolute best of the genre. But if you are a fan of the genre you might like this one, however don't go in expecting the next American Honey, Kids, Moonlight or some others.
★★★½ review by Ken Rudolph on Letterboxd
Set in upper New York State in 1994, this involving film is a character driven family and relationship drama disguised as a murder mystery. Jack (familiar young TV actor Owen Campbell) is a quiet, loner-type teenager living with his mother (Mary Stuart Masterson). His mom falls for an ex-Marine security guard (Scott Cohen) who has a son Mark of Jack's age (played by charismatic Charlie Heaton). The boys become friends, even brothers of sorts when their parents move in together. The pair befriend intelligent classmate Sarah (Amandla Stenberg); but the relationship dynamic is adversely affected by Jack's increasing attraction to straight Mark, an attraction that is not entirely one-sided. In the complex story, somebody gets killed; and the film is structured around police videos interviewing all the surviving characters. For me, the film worked as an extremely realistic tale of repressed homosexuality and all of the hardships caused by this during the mid-1990s (and of course in earlier decades as in my own similar life experiences in the 1950s and 1960s.) But the plot mechanics to make the film more of a mystery thriller just got in the way of the people story, at least for me. Still, 25-year old director Joris-Peyrafitte is potentially a real film making talent to watch for.
★★★★ review by Emma Snyder on Letterboxd
so powerful and stunning yet depressing and hot. Charlie heatonss character reminds me of my ex boyfriend and I always had suspicions he was gay
★★★★ review by nivi on Letterboxd
A good film for those who love the coming of age genre like I do. At times it does tiptoe near the line of becoming too edgy-90s-teen-grunge-pretentious and can come off as a little contrived. Marks characters specifically whose angry teen front where he is constantly getting high and skipping school is a tad overdone. There are some nice stand out scenes though like when the two boys smoke together on the bleachers and when they are sitting in bed after Mark's injury. Those quiet moments give it a soft edge that work well with offsetting the angst vibe. Overall it's a solid debut even if that ending was unnecessary like wtf let the gays be happy?
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