A probing portrait of Chris Burden, an artist who took creative expression to the limits and risked his life in the name of art.
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★★★½ review by Kevin Matthews on Letterboxd
I really didn’t know anything about Chris Burden before I sat down to this documentary about him. To be completely honest, as the lights went down and the film began, I struggled to remember what I was about to see. I’d even forgotten that it was a documentary. These things happen in the midst of festival madness. It wasn’t the first time, and it sure as hell won’t be the last.
Anyway, I am glad that I took a chance on this. Directed by Tim Marrinan and Richard Dewey, this celebrates the man and his art, and explores an undercurrent of danger that seemed to be present throughout many years of his career. It was certainly there throughout the first half of his life anyway.
Although now famous for many different pieces of art, including some truly wonderful kinetic sculptures, Chris Burden started his climb up the slippery rungs of fame with a number of performance pieces. He spent five days in a small locker. He went missing, and then came back. He did things that he considered pieces, whether others would agree with him or not (and Brian Sewell pops up here on a number of occasions to disagree with these kinds of performance pieces being labelled as art). But what really made his name was a piece that involved him being shot. Actually shot. The bullet was supposed to nick his arm. One slight pull to the left later and he had to head to hospital and help make a police report, all while the two small holes in his arm were treated.
It’s the centrepiece of the first half of this documentary, and rightly so. It’s shocking, controversial, and arguably made Burden one of the hottest names in the art world at that time (although having his hands nailed to a car while he posed like Christ also got him some press). And he seemed to spend a lot of time regretting how his reputation was then warped, and sometimes only defined, by that one incident. Which is why it’s also appropriate that the second half of this documentary tries to move away from it, naturally following the artist on a path that would take him through some wilder years before settling into a nice rhythm that would lead to him almost becoming a cosy and safe figure, yet one still capable of creating some absolutely wonderful stuff.
Chris Burden’s life was a fascinating journey, full of strange moments and excitement. And this documentary puts that across well.
★★★★ review by George Hanna-Wilson on Letterboxd
Chris Burden is easily one of the most important artists of the past hundred years but I'm sure that most of you don't even know who he is. He would have likely preferred to have his pieces speak for themselves anyway. More than almost another artist Burden made people rethink the definition of art. Is letting someone shoot you in the arm art? Is locking yourself in a 2 by 2 locker for a week art? Is nailing youself to a car art? Check out this documentary and judge for yourself. It's a great one.
★★★★ review by Durtro on Letterboxd
From the conceptual performance art pieces to his massive installations, Chris Burden always thought big and reinvented himself numerous times. R.I.P.
★★★★½ review by Joshua Sobel on Letterboxd
I'm biased because I love Chris Burden but holy hell what a life.
★★★★ review by GG Albuquerque on Letterboxd
enquanto um filme, propriamente dito, ele não é lá essas coisas. mas é um ótimo exercício de exposição, talvez jornalístico, de um grande artista. eu não conhecia a obra nem a vida de burden e o documentário é uma excelente introdução para ambos, apresentando um arco coeso, coerente e bem pesquisado de seus trabalhos. um vislumbre do que acontece quando se vai até aos limites do corpo, das ideias, da matéria... a potência da arte.
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