Prevenge

A pitch black, wryly British comedy from the mind of Alice Lowe (SIGHTSEERS), PREVENGE follows Ruth, a pregnant woman on a killing spree that’s as funny as it is vicious.

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  • ★★★½ review by Simon Ramshaw on Letterboxd

    The Babydook.

  • ★★★★ review by DirkH on Letterboxd

    Look Who's Talking: the Reboot



    I shall henceforth worship the ground Alice Lowe walks on.

    Mainly because she has a deeply dark sense of humour and is extremely talented on all levels.

    And partly because she really scares me.

    Prevenge is so deadpan in its humour and its horror it won't work for everyone. For me it worked perfectly. It's wry, dry and twisted, making me laugh out loud on more than one occasion and look away in disgust on another.

    One could argue that its narrative is stretched a bit too thinly and there is probably some truth in that, but there is just so much bizarreness to relish I simply couldn't care less.

  • ★★★½ review by Marian on Letterboxd

    two things that are very scary: pregnancy and british people

  • ★★★★ review by Kiko Vega on Letterboxd

    Alice Lowe ha aprendido junto a Ben Whitley tan bien como Macon Blair con Saulnier. Hija de puta: la película, es un sobrecogedor desparrame de humor negro, humildad y ganas de pasar un rato maléfico. Enhorabuena, Alice.

  • ★★★½ review by Nexkez6 on Letterboxd

    "Baby knows what to do. Baby will tell you what to do."

    Alone, mourning the loss of her partner and pregnant, Ruth (Alice Lowe) goes on a murderous spree at the behest of her unborn child. The reasoning behind her selection of targets slowly becoming clear.

    Cutthroat violence running along side dark humour as Ruth goes from melancholic mood to Ruthless banshee of fury, reminiscent of the sisters of fury from noirish Crime Without Passion which she views in her hotel room. Alice superbly shows her versatility, putting on a new act as the film goes from one scenario of murder to the next, from playing straight laced corporate business woman to cheery charity worker.

    Each new sequence does give the film varying tones, some played a little longer than necessary but the comedy does work and there are some excellent stylistic shots throughout, from grey skies by the coast to the bright colours during Halloween, a nice little nod to Possession, a cool synth score the pounding beat of the movie.

    Clinging to the past, the future inside her, the pet store of innuendo, enchanting eyes at the cheesy disco, castrating kitchen knife, a kiss of death at the corporate interview. That this was written and shot on a low budget in a very short space of time while Alice was in reality heavily pregnant only serves make the results of this pregnancy as a hostile takeover movie and her directorial debut that much more impressive.

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