I Am Belfast

Belfast, it’s a city that ís changing, changing because the people are leaving? But one came back, a 10,000 year old woman (Helena Bereen) who claims that she is the city itself.

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  • ★★★★ review by NSlater90 on Letterboxd

    Having seen this billed as a city symphony, I had certain preconceptions about what it would be like before going in. I had (perhaps foolishly) expected something more akin to Vesnoy, Berlin: SOAGC, Man With a Movie Camera, and Manhatta. As it turns out, it shares vary little with the above.

    I Am Belfast seems at times quite a profound experience, there is sorrow, there is hope, and there is beauty in the seemingly mundane. The film somehow manages to elevate itself to a state of 'greater than the sum of it's parts'.

    It's not without it's flaws though. Mark Cousins for example should be banned from ever speaking in his film again. His droney voice coming across incredibly wooden as the scripted conversations with 'Belfast' happen. Far to wink wink nudge nudge at times too, as he tells us 'I like Movies' early on in the piece. You get him comparing Sir Arthur Chichester to Marlene Dietrich (I've seen the story of film, I get it Mark, you like Marlene Dietrich), and somehow finds excuse to fit in a clip from an Abel Gance film about WW1. It's like he couldn't let the film happen without reminding us just how much he loves film.

    I think it's that personal side of it that lets the film down. I think if it wasn't him going to Belfast and having a conversation with the personification of Belfast, and was instead just the poetic monologues of that personification, the film would be a lot better. I also think he needs less of his 'observations' in the script. The way he makes a connection, or spots a pattern, and tries to make it into something deep and meaningful. A Wall painted Gold, the colours you see walking down a street. They just come across forced and pretentious.

    The climax of the film is a 5 minute sequence in which a woman forgets her shopping on the bus, so the driver goes back to pick it up, whilst 'Belfast' weeps. Thankfully it's assembled so well with the Van Morrison song, and the emotions on camera, and the editing making us feel like is a really significant moment. On the face of it's just a random event, and yet it becomes the films emotional crescendo. And I kind of like how the film can do that, and make the mundane beautiful

    I also felt it dealt with the troubles really well. That first explosion adds so much weight to a film that up until than had been a bit wishy washy. It's those events that really give the film it's poignancy, and where it's at it's most profound as it reflects on the horror of it all, and the seeming pointlessness of it all. By the end you really feel a sense of hope that that is all behind us now, and we can move forwards.

    Whilst a good film, I just feel it's a bit flawed in composition/execution. For a long time I've had the desire to make a city symphony about my home town. It would be more 'none-narrative' than I Am Belfast, but none the less, I feel inspired by this film to push forwards with that, so an extra level of praise must be given for reigniting my inspiration.

  • ★★★★ review by Tom Beale on Letterboxd

    met the man himself and went all giddy, great film that makes you wanna bloody make films. music was mixed just a notch too loud into the irritable threshold but utterly beautiful besides.

  • ★★★★ review by BTU on Letterboxd

    What a great way to get to know a city. Was emotional to watch. Such loss, such endurance, and then to catch a real whiff of hope and beauty.

  • ★★★★ review by Glen Grunau on Letterboxd

    Movies and Meaning Festival 2017

    Albuquerque, New Mexico

    Film #9

    The story of violent religious and political conflict in Ireland is proof that terrorism was rampant in Ireland long before it became synonymous with the holy war of Islamic extremism.  It does make me wonder how we could so easily scapegoat the Muslim community and blame them for all contemporary terrorism.

    Gareth Higgins is an Irish immigrant to the USA and planner and host for Movies and Meaning.  This was a story of his home city - ravaged by violence yet rife with signs of healing.  But the story is not yet complete. Many walls and barriers still remain, dividing neighbours along religious and political lines.  

    The stories within the story of this film are hopeful.  The dream for those in Belfast is that walls will come down, just as they did in Berlin.  I feel that this is a dream in which I as a Canadian also need to invest.  For as members of the human race, are not all of our walls ultimately connected? Where a breached wall in one nation can have repercussions for crumbling walls in other nations as we long for a day when political, racial, gender, religious, and economic walls may all give way to unity and love among all nations.

  • ★★★½ review by kblackman on Letterboxd

    This film is hard to describe. Early on there is a lyrical tone with both beautiful and gritty shots of Belfast. An older woman embodies the role of the city saying "I am Belfast" and narrates the history of the place.  Despite the beauty of the narration and images, the film feels long and ambling (I kept thinking it was about to end when it wasn't). On the other hand, I did particularly appreciate how the story of  "The Troubles" was told - sensitively, thoughtfully, with continued affection and sympathy for Belfast. The filmmaker himself talks to the narrator some of his own experience growing up in Belfast during those hard times. That piece was worth a lot and I'm glad I saw it .

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