Dead Slow Ahead
A freighter crosses the ocean. The hypnotic rhythm of its gears reveals the continuous movement of machinery devouring its workers: the last gestures of the old sailors’ trade disappearing under the mechanic and impersonal pace of 21st century neocapitalism. Perhaps it is a boat adrift, or maybe just the last example of an endangered species. Although we don’t know it, the engines are still running, unstoppable. DEAD SLOW AHEAD is a feverish and hallucinatory portrait of machinery that has overwhelmed the men living in it: they no longer know if they are operating the machine or if it is the other way round.
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★★★★½ review by Eli Hayes on Letterboxd
One of my most complex & layered
soundscapes I've ever experienced.
★★★★★ review by Michelle on Letterboxd
The average person is unfamiliar enough with how a ship works, let alone a massive freighter, that any decontextualized shot of its innards is about as natural to us as a spaceship- maybe even less, because I've definitely watched more movies with spaceships than boats in them. Dead Slow Ahead takes this idea and runs with it, utilizing simple shots and brilliant sound design to turn documentary footage of a cargo ship hauling its load across the ocean into a meditative sci-fi horror film about a doomed crew on a mission inside a haunted ship. If you've ever walked around an empty college building basement and imagined you were in the Nostromo, this is for you. And it's especially for you if you (like me) played through Dead Space about four times not because you especially enjoyed playing it, but because you just wanted to step into the Ishimura again and again.
★★★★ review by Juan Manuel Freire on Letterboxd
Aunque cueste creerlo, todavía hay un debate en marcha sobre qué es mejor, si ver las películas en una sala a oscuras y con una pantalla enorme o, digamos, tirado en el sofá con una tablet. La primera película del barcelonés Mauro Herce es un argumento de peso para defender lo primero. Las películas han de tomar el control sobre nosotros, no nosotros sobre ellas. Y Dead Slow Ahead ejerce su poder a través de una fuerza plástica y diseño sonoro solo realmente apreciables en un cine.
De mi entrevista con Mauro Herce en El Periódico.
★★★★ review by Josh Hamm on Letterboxd
"...Without an ideological axe to grind, Dead Slow Ahead allows its form to take precedence, presenting life on board the ship as an aberrant manifestation of what is and is not real. This subtext of insignificance, or at least of the subservience of man to machine, may have political/social correlations, but the film does not dwell on them in order to convince the viewer of a certain perspective, but rather to submerge them in its rhythm until they are completely lost.
A voyage beyond reality, constructing an alien atmosphere of indiscernible sounds and sights, Dead Slow Ahead is a masterpiece of mood and almost approaches the ever ambiguous concept of “pure cinema”.
Reviewed for PopOptiq:www.popoptiq.com/viff15-dead-slow-ahead/
★★★★ review by Isart on Letterboxd
Una película sensorial, un viaje a otra dimensión; la de las sombras y el movimiento. Entre 'Leviathan' y 'At Sea' navega esta película que tiene uno de los mejores usos del sonido como recurso expresivo que haya visto en mucho tiempo.
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