A single mother is swept into a dark underworld, while her teenage son discovers a road that leads him to a secret underwater town.
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★★★★½ review by Eli Hayes on Letterboxd
Literal and metaphorical underworlds run parallel in this abstract work of expressionist cinema, as you follow the poverty and downward spiral of a single mother and her eldest son struggling to maintain payments for their home in a disintegrating American town.
But Lost River, being an expressionist film, isn't really about the story so much as its about capturing the emotions and experiences of the characters through sensory details, utilization of vibrant colors and a strong, tense atmosphere; it's an audio-visual experience in the same vein, aesthetically, as films like Harmony Korine's Spring Breakers and Nicolas Winding Refn's Only God Forgives.
Of course, Benoit Debie shot both this and Spring Breakers so it would make sense why there would be some visual overlap (seeing as Debie is one of the few working cinematographers who I would describe as a non-directorial auteur). Aside from being a display of cinematographic and compositional brilliance, Lost River marks the emergence of a new director with a style that I can get behind.
There are films which are derivative in a bad way and pay no respect to the works that inspired them, and then there are films which are derivative in a respectful and knowledgeable manner, where control over the craft is apparent and an homage is being paid to preceding works. Lost River, while in many ways unique in its own right, undoubtedly falls into the latter category.
With an incredible score, fierce neon hues, surreal macabre theater, a pair of outlandish antagonists and a darkly magical use of allegory, I can safely deem Lost River unfairly maligned.
PS: character MVP, for me,
goes to Rat (Saoirse Ronan).
★★★½ review by Evan on Letterboxd
It appears that we have another Only God Forgives situation on our hands. I find it funny because I pretty much hated Only God Forgives, but I quite liked Lost River.
Considering this is Ryan Gosling's first film; he hasn't even done so much as a short film (as far as I'm aware). I am very impressed. The cinematography and the sound track were the highlights for me. The characters were pretty shallow and the writing could have been better, but other than that I have no other real complaints. The story itself is pretty much about achieving The American Dream. Been there done that right? Not so much. We've seen it before, but never like this. Lost River is certainly a very captivating and hypnotic film.
There's a lot to admire with Ryan Gosling's debut film and it won't surprise me if I come to love this film after another watch or two.
★★★½ review by brat pitt on Letterboxd
need me a freak like ryan gosling
★★★★½ review by SilentDawn on Letterboxd
Narrative missteps and some pacing issues came to light after this third viewing, but honestly, it doesn't detract much from the experience. A lullaby that slowly morphs into a nightmare; Lost River is a masterful poem of style and horrific memories.
★★★★½ review by nathaxnne walker on Letterboxd
The hallucinations of A Vulture Capitalism choking down the bone marrow of a Dragon Slain Or Drowned, or otherly felled by antifreeze consumption, further sweetened in rot. Bees will make honey from antifreeze. It is neon yellow-green. A sunset overvivid with fine particle pollution.
What is A Curse? An Overriding. A redirection of existing paths of energy to ends inimical to the pattern that would, left to its own devices.
To break A Curse is to Unwrite, but the Breaking Of A Curse cannot restore a prior state of affairs. It can only end the curse imposed.
To Dream Something Else, Something Other Than.
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