London Road

London Road is a musical drama that documents the events of 2006, when the quiet rural town of Ipswich was shattered by the discovery of the bodies of five women. The residents of London Road had struggled for years with frequent soliciting and kerb-crawling on their street. When a local resident was charged and then convicted of the murders, the community grappled with what it meant to be at the epicentre of this tragedy.


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  • ★★★★ review by Mike D'Angelo on Letterboxd


    A.V. Club review. Dazzling enough frequently enough that I can forgive its fundamental hollowness. FYC, Best Scene: "It Could Be Him," "Cellular Material."

  • ★★★½ review by Ezra Cubero on Letterboxd

    Fun, light-hearted, well acted, and well directed, London Road is an entertaining musical with a dark twist. #TIFF40

  • ★★★★ review by Chris Hormann on Letterboxd

    It seems like a strange conceit - taking the interviews of real life folk during the infamous serial killing of prostitutes in Ipswich in 2006 and turning it into a musical. Those interviews come from the neighbours of the man eventually convicted, Steven Wright and not a word is changed including the 'ums and ahs'. Somehow it seems to work - it is based on an acclaimed production at the National Theatre so the production team will have known it had potential as a film. And it isn't entirely without precedent from the classic 'sung-dialogue' musical, The Umbrellas of Cherbourg to Clio Barnard's The Arbor which used actual voices of housing estate residents but had them lip-synched by actors.

    It helps in casting Olivia Colman in one of the prominent roles, a magnetic screen presence anyway but surrounded by familiar British actors (and a cameo from Tom Hardy) the production brings the story to life - there are some great musical sequences which make the sometimes stilted interview dialogue soar. The film doesn't forget the victims in all this, not just those killed by Wright but by the prostitutes who continued to work the trade and were demonised by the locals. There is one particularly chilling interview with Colman's character which brings the views of the locals into sharp relief.

    If it fails slightly is that it never lets you forget this was once a stage production and while crane shots are used regularly to add to the cinematic feel, the interior scenes always being you back down to earth.

    A worthwhile experiment nonetheless and one which shines a light not just on a terrible tragedy for a community but also highlights the plight of the forgotten and marginalised parts of the community.

  • ★★★½ review by Erik Bajzert on Letterboxd


    It's uhh

    It's pretty good and

    It's uhh

    It's pretty great and

    The naturalistic singing and verbatim music really


    Bring it to life beautifully.

    It's uhh

    Well acted

    And it's uhh

    Well shot

    And the music's pretty catchy and the story's heart wrenching

    and uhh


  • ★★★★★ review by Anika on Letterboxd

    What an incredible and different musical.

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